Siteelaaits

Movies »

Siteelaaits

Chandramohan sharmaahansal Mehta aur Rajkumar Rao jaise do naishanal award vinrs ka saath is film ko khaas banaata hai. Hansal ke kaam karne ka style doosare mekars se juda hai. Is film ki leed aiktres poorvottar se aain patralekha hain. Patralekha filmi background se naheen hain. Yaani film ke hero Rajkumar ki tarah patralekha bhi star kids aur ab rishtedaaron ke liye bhi reserve ho rahi glaimar nagari mein apne dam par pahunchi hain. Hansal ne shooting shuroo karne se kareeb do maheene pehle Rajkumar aur patralekha ko Rajasthan ke ek chhote se gaanv mein kuchh din 45 degree se jyaada ke taapamaan mein rakha tha. Is beech Rajkumar aur patralekha gaanv vaalon se mile. Patralekha ne gaanv ki mahilaaon ke saath vakt gujaara aur donon ne gaanv panchaayat mein saranpach ke ghar mein bana khaana khaaya. Donon gaanv se kuchh door bane station par passenger train mein savaar hokar kuchh stationon par ghoomkar daily paiseinjaron se mile. Ab iska result bhi jaan leejiye. . . Film ke leed kirdaaron- deepak aur raakhi, mein in donon ka abhinay hall mein baithe har darshakon ke dil ko chhoo leta hai. Raakhi aur deepak apni bebasi par jab rote hain, to aapki aankhein bhi chhalakati hain. Yahi is film ki sabse badi yooesapi hai, jo director hansal Mehta industry ke kisi doosare naamacheen star, aiktres ke saath shaayad kar naheen paate. 'Shahid' ke liye naishanal award haasil kar chuke director hansal Mehta ne enabeeti se interview ke dauraan apni is film ko kareeb do saal pehle release hui british film 'Metro Manila' ka reemek bataaya tha. Yakeenan yeh hansal ki imaandaari hi hai, varana glaimar industry mein kahaani mein kuchh badlaav karke director haulivud film ka reemek banaate to hain, lekin use apni kriyetiviti ka naam de dete hain. Vaise hansal ne 'Metro Manila' se sirf aaidiya bhar liya hai aur poori film unhonne apne style mein hi banaai hai. Kahaani: Deepak (raaj Kumar Rao) aur raakhi (patralekha) Rajasthan ke ek chhote se gaanv mein rahate hain. Gaanv mein deepak ki kapadon ki dukaan hai, lekin usaka kaarobaar theek naheen chal raha. Deepak par karj ka bojh lagaataar badh raha hai. Isi vajah se ek din use apni dukaan se haath dhona pad jaata hai. Deepak ko lagta hai gaanv mein uske sapane kabhi saakaar naheen ho paaenge. Deepak aur raakhi beti maahi ke saath Mumbai aa jaate hain. Deepak ko yakeen hai ki Mumbai mein uske parivaar ka bhavishya ban sakta hai. Mumbai aakar vah apne liye aashiyaane aur kaam ki talaash mein lagta hai. Lambi bhaag-daud ke baad deepak ko ek private sikyauriti agency mein naukri milti hai. Isi agency mein kaam karne vaala vishnu (maanav kaul) deepak ko kamaai ke nae shaurtakat bataata hai. Deepak ko bhi lagta hai ki Mumbai mein agar kuchh banana hai, to use side business karna hoga. Deepak ki patni raakhi Mumbai ke ek biyr baar mein kaam karne lagti hai. Jyaada kamaai ka laalach gaanv se aae deepak aur raakhi ko ek aise mod par pahuncha deta hai, jiski in donon ne kabhi kalpana bhi naheen ki thi. Aikting: Deepak ke kirdaar ko Rajkumar ne apne laajavaab, behatareen abhinay se parde par jeevant kiya hai. Har film mein Rajkumar khud ko pehle se behtar saabit kar rahe hain. Rajkumar ke abhinay ko dekh saaf lagta hai ki film industry mein unki paari behad lambi aur kaamayaab rahani tay hai. Yakeenan, apni jeevant aikting ke dam par patralekha ne raakhi ke kirdaar mein jaan daal di hai. Raajasthaani bhaasha aur vahaan ke ek chhote se gaanv ki ladki, raakhi, ke luk mein patralekha sau feesadi parfekt raheen. Theatre background se aae maanav kaul ne dikha diya ki vah aikting ki ABC hi naheen, aage ka bhi bahut kuchh jaante hai. Nirdeshan: Hansal Mehta ne kahaani ke leed kirdaaron- deepak, raakhi aur maahi, ka ek chhote se gaanv se Mumbai ke liye shuroo hua safar poori imaandaari ke saath parde par utaara hai. Har kirdaar se unhonne behatareen kaam liya, to film ki lokeshan se lekar sanvaadon tak unhonne har morche par khud ko number van saabit kiya hai. Sangeet: Film ka ek gaana 'Muskuraane ki vajah tum ho' pehle se har kisi ki jubaan par hai. Yeh kai myoojik chart mein top five mein shaamil hai. Kyon dekhein: Behatareen aikting, nirdeshan ke saath-saath aisi kahaani jo us khaas class ki soch ko bhi badalne ka dam rakhati hai, jinhein lagta hai ki chhote shaharon se har roj mahaanagaron mein roji-roti ki chaah mein aane vaalon ki vajah se shahar ka vikaas ruk jaata hai. Maainas point- jen ex shaayad film ki bhaasha ko na samajh paae aur intaraval ke baad kahaani mein kai jagah naatakeeyata ka ehsaas hona hai. Agar aap kuchh naya aur leek se hatkar dekhne ke shaukeen hain, to siteelaaitas aapke liye hai.

Siteelaaits https://www.angrejinews.com/pic/52237