Shaharon Ke Andhere Dikhaati 'City Laaits

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Shaharon Ke Andhere Dikhaati 'City Laaits

chandramohan sharma, nai Delhi director hansal Mehta aur actor Rajkumar Rao donon naishanal award vinrs hain. Film ki leed ektres naurth-East se I patralekha hain. Unka filmi background naheen hai. Hansal ne shooting shuroo karne se kareeb do maheena pehle Rajkumar aur patralekha ko Rajasthan ke ek chhote se gaanv mein kuchh din rakha. Rajkumar aur patralekha gaanv vaalon se mile aur unke saath vakt gujaara. Donon ne sarapanch ke ghar ka bana khaana khaate the. Ve gaanv ke paas ke railway station se passenger train mein savaar hokar daily paiseinjars se bhi mile. Film ke leed kirdaaron deepak aur raakhi ka abhinay hall mein baithe har darshak ke dil ko chhoo jaata hai. Donon jab apni bebasi par rote hain, to dekhne vaalon ki aankhein bhi chhalak jaati hain. Yahi is film ki sabse badi yooesapi hai, jo director hansal Mehta doosare naamacheen star ke saath shaayad kar naheen paate. Shahid ke liye raashtreeya puraskaar haasil kar chuke Mehta ne enabeeti se interview ke dauraan apni is film ko kareeb do saal pehle release hui british film metro Manila ka reemek bataaya tha. Kahaani : Deepak (Rajkumar Rao) aur raakhi (patralekha) Rajasthan ke ek chhote se gaanv mein rahate hain. Gaanv mein deepak ki kapadon ki dukaan hai, lekin usaka kaarobaar theek naheen chal raha. Us par karj ka bojh lagaataar badh raha hai. Is kaaran ek din use apni dukaan se bhi haath dhona padta hai. Deepak ko lagta hai gaanv mein uske sapane kabhi saakaar naheen honge. Vah patni aur beti maahi ke saath Mumbai aa jaata hai. Mumbai aakar vah apne liye aashiyaane aur kaam ki talaash mein lagta hai. Lambi bhaagadaud ke baad use ek private security agency mein naukri milti hai. Isi agency mein kaam karne vaala vishnu (maanav kaul) deepak ko kamaai ke nae shaurtakat bataata hai. Deepak ko bhi lagta hai Mumbai mein agar kuchh banana hai, to use side business karna hoga. Raakhi ek beer baar mein kaam karne lagti hai. Jyaada kamaai ka laalach gaanv se aae deepak aur raakhi ko aise mod par pahuncha deta hai, jiski donon ne kalpana bhi naheen ki thi. Acting : Deepak ke kirdaar ko Rajkumar ne apne laajavaab acting se jeevant kar diya hai. Patralekha ne bhi raakhi ke kirdaar mein jaan daal di hai. Rajasthan ke chhote se gaanv mahila raakhi ke luk mein patralekha sau feesadi parafekt raheen. Maanav kaul ki acting bhi damadaar hai. Nirdeshan : Hansal Mehta ne kahaani ke leed kirdaaron deepak, raakhi aur maahi ka ek chhote se gaanv se Mumbai tak ke safar ko poori imaandaari ke saath parde par utaara hai. Har kirdaar se unhonne behatareen kaam liya to film ki lokeshan se lekar dialogue tak unhonne har morche par khud ko number van saabit kiya hai. Sangeet : Film ka ek gaana muskuraane ki vajah tum ho , gunagunaane ki vajah tum ho har kisi ki jubaan par hai. Jiya jaae na jaae na , O re piya re bhi kai myoojik chart mein top five mein shaamil hai. Kyon dekhein : Behatareen acting , nirdeshan ke saath - saath aisi kahaani jo us class ki soch ko bhi badalne ka dam rakhati hai , jinhein lagta hai chhote shaharon se har roj mahaanagaron mein roji roti ki chaah mein aane vaalon ki vajah se shahar ka vikaas ruk jaata hai. Maainas point yangastars shaayad film ki bhaasha na samajh paaen aur intaraval ke baad kahaani mein kai jagah naatakeeyata ka ehsaas hona hai. Chandramohan sharma, nai Delhi director hansal Mehta aur actor Rajkumar Rao donon naishanal award vinrs hain. Film ki leed ektres naurth-East se I patralekha hain. Unka filmi background naheen hai. Hansal ne shooting shuroo karne se kareeb do maheena pehle Rajkumar aur patralekha ko Rajasthan ke ek chhote se gaanv mein kuchh din rakha. Rajkumar aur patralekha gaanv vaalon se mile aur unke saath vakt gujaara. Donon ne sarapanch ke ghar ka bana khaana khaate the. Ve gaanv ke paas ke railway station se passenger train mein savaar hokar daily paiseinjars se bhi mile. Film ke leed kirdaaron deepak aur raakhi ka abhinay hall mein baithe har darshak ke dil ko chhoo jaata hai. Donon jab apni bebasi par rote hain, to dekhne vaalon ki aankhein bhi chhalak jaati hain. Yahi is film ki sabse badi yooesapi hai, jo director hansal Mehta doosare naamacheen star ke saath shaayad kar naheen paate. Shahid ke liye raashtreeya puraskaar haasil kar chuke Mehta ne enabeeti se interview ke dauraan apni is film ko kareeb do saal pehle release hui british film metro Manila ka reemek bataaya tha. Kahaani : Deepak (Rajkumar Rao) aur raakhi (patralekha) Rajasthan ke ek chhote se gaanv mein rahate hain. Gaanv mein deepak ki kapadon ki dukaan hai, lekin usaka kaarobaar theek naheen chal raha. Us par karj ka bojh lagaataar badh raha hai. Is kaaran ek din use apni dukaan se bhi haath dhona padta hai. Deepak ko lagta hai gaanv mein uske sapane kabhi saakaar naheen honge. Vah patni aur beti maahi ke saath Mumbai aa jaata hai. Mumbai aakar vah apne liye aashiyaane aur kaam ki talaash mein lagta hai. Lambi bhaagadaud ke baad use ek private security agency mein naukri milti hai. Isi agency mein kaam karne vaala vishnu (maanav kaul) deepak ko kamaai ke nae shaurtakat bataata hai. Deepak ko bhi lagta hai Mumbai mein agar kuchh banana hai, to use side business karna hoga. Raakhi ek beer baar mein kaam karne lagti hai. Jyaada kamaai ka laalach gaanv se aae deepak aur raakhi ko aise mod par pahuncha deta hai, jiski donon ne kalpana bhi naheen ki thi. Acting : Deepak ke kirdaar ko Rajkumar ne apne laajavaab acting se jeevant kar diya hai. Patralekha ne bhi raakhi ke kirdaar mein jaan daal di hai. Rajasthan ke chhote se gaanv mahila raakhi ke luk mein patralekha sau feesadi parafekt raheen. Maanav kaul ki acting bhi damadaar hai. Nirdeshan : Hansal Mehta ne kahaani ke leed kirdaaron deepak, raakhi aur maahi ka ek chhote se gaanv se Mumbai tak ke safar ko poori imaandaari ke saath parde par utaara hai. Har kirdaar se unhonne behatareen kaam liya to film ki lokeshan se lekar dialogue tak unhonne har morche par khud ko number van saabit kiya hai. Sangeet : Film ka ek gaana muskuraane ki vajah tum ho , gunagunaane ki vajah tum ho har kisi ki jubaan par hai. Jiya jaae na jaae na , O re piya re bhi kai myoojik chart mein top five mein shaamil hai. Kyon dekhein : Behatareen acting , nirdeshan ke saath - saath aisi kahaani jo us class ki soch ko bhi badalne ka dam rakhati hai , jinhein lagta hai chhote shaharon se har roj mahaanagaron mein roji roti ki chaah mein aane vaalon ki vajah se shahar ka vikaas ruk jaata hai. Maainas point yangastars shaayad film ki bhaasha na samajh paaen aur intaraval ke baad kahaani mein kai jagah naatakeeyata ka ehsaas hona hai.

Shaharon Ke Andhere Dikhaati 'City Laaits https://www.angrejinews.com/pic/52296