Moovi Review Nautanki Saala

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Moovi Review Nautanki Saala

Kuchh saal pehle tak shole fame director ramesh sippi ke saahabajaade rohan sippi ko lagta tha box office par hit karne ke liye glaimar world ke top stars ko lekar hi film banaani chaahiye. Agar ham rohan ki pichhli filmon par najar daalein to 'Chaandani chauk too China' se lekar 'Dam maaro dam' vagairah mein unhonne yahi faurmyula apnaaya, lekin yah faurmyula unhein box office par kabhi kaamayaabi naheen dila paaya. Ab jab rohan ne darshakon ke badalate test ko dekha aur box office par yang director ki seemit bajat mein bani film, 'Paan Singh tomar', 'Jolly LLB' ki kaamayaabi dekhi to pichhle saal unhonne apne ab tak ke filmi career ki sabse kam bajat film banaai. Daraasal, kareeb do saal pehle rohan ne French moovi 'Epres voos' dekhne ke baad is film ko hindi mein banaane ka faisala kiya. Rohan ne is film ki praudakshan company se film ko hindi mein banaane ke raaitas haasil karne ke baad is praujekt par kaam shuroo kiya. French moovi kareeb das saal pehle release hui aur box office par film ne jabardast business karne ke saath-saath darshakon ki jamkar vaahavaahi bhi batori. Rohan ki taareef karni hogi jab hamaare mekar apni film ko kisi videshi film se prabhaavit na hone ki kasamein khaate hain, aise mein rohan apni film ke postaron mein French film ka bhi jikr bhi kiya hai. Is film ke kuchh scene aur kirdaaron ke naam barso pehle seemit bajat mein bani superhit film 'Jaane bhi do yaaron' ki yaad taaja karte hain, kyonki yahaan bhi theatre ke background mein aisa bahut kuchh hai jo pichhli film ki yaad dilaata hai. Kahaani: Aar. Pi. Ram paramaar (aayushmaan khuraana) theatre baikagraanud se hai. Midl inakam faimili ke aar. Pi. Ka dil bahut naram hai, jo kisi ka dard dekh naheen paata. Doston ki madad ke liye har vakt taiyaar aar. Pi. Ki mulaakaat mandaal lene ( kunaal rai Kapoor) se hoti hai. Mandaal apni jindagi se poori tarah se bejaar ho chuka hai. Jindagi mein jab bhi kuchh kiya naakaami hi uske haath lagi. Badakismati ka yah aalam raha ki garlafreind nandini (pooja saalvi) se bhi usaka brekaap ho gaya. Har or se hataash ho chuka mandaal ab apni jindagi khatm karne ka faisala karta hai. Yahaan bhi kismat usaka saath naheen deti aur ain vakt par aar. Pi. Use bacha leta hai. Jindagi se toot chuke mandaal ko ekabaar fir nae sire se jeene ke liye prerit karna aur usaki roothi khushiyon ko vaapas lautaana ab aar. Pi. Ka maksad ban gaya hai. Aar. Pi. Aur mandaal ab achhe dost ban chuke hain, lekin in donon ki badhti dosti aar. Pi. Ke maksad ke beech seetha evalin sharma khud ko kaheen na kaheen upekshit mahasoos karne lagi hai. Aikting: 'Viki donar' mein aayushmaan ke theth punjabi kirdaar ko dekhne ke baad critics aur unke aalochakon ko lagta tha Delhi ke tipikl punjabi munde ka kirdaar nibhaana aayushmaan ke liye aasaan tha. Aise mein har kisi ko unke agale kirdaar ka intajaar tha. Is baar theatre background ke aar. Pi. Ke kirdaar mein aayushmaan ne inhein javaab diya. Aayushmaan ki aikting mein is baar bhi taajagi ka ehsaas hota hai. Is kirdaar mein bhi aayushmaan ne khud ko aikting ki field ka ol raaundar saabit kar dikhaaya hai. Kunaal rai Kapoor khoob jame hain. Pooja saalvi aur elavan sharma ke hisse mein jitne scene aae unhonne niraash naheen kiya. Daayarekshan: Yang director ki script aur film ke har kirdaar par achhi pakad najar aati hai. Taareef karni hogi ki unhonne film ke har kirdaar ko apni pehchaan banaane ka achha chaans diya hai. Sangeet: Is film ke saath ek do naheen aath sangeetakaaron ka naam juda hai. Film ke hero aayushmaan khuraana bhi myoojik team se jude hain. Assi nabbe ke dashak ke kai super hit gaanon ko kuchh alag style mein aise asaradaar dhang se pesh kiya gaya hai jo achha lagta hai. Kyon dekhein: Agar sava do ghante rilaiks mood mein teinshan free hokar gujaarana chaahate hain to is nautanki ko miss na keejiye. Kyonki silver screen par aisi saaf-suthari aur majedaar nautanki dekhne ke liye lamba intajaar karna padta hai.

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