Haamid Moovi Review

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Haamid Moovi Review

Kai antararaashtreeya film festivls mein kritikli aklemd 'Haamid' ko dekhte hue darshak ko samajhna hoga ki yeh aam bollywood masaala film naheen hai, magar jab aap is film ko dekhna shuroo karte hain, to Allah aur Kashmir ke muddon par saat saal ke maasoom bachche haamid ke savaal aapko vichlit karte hain aur pre klaaimeks tak aate-aate aapko itna pichhla dete hain ki aapki aankhon se aansoo bahne lagte hain. Aap bahut hi bhaari mahasoos karne lagte hain, magar vo kehte hain na, jindagi har haal mein khoobsoorat hoti hai, to ant mein yeh film bhi aapko jeevan ki vishmataaon aur kuroopataaon se pare ek ummeed de jaati hai. Kahaani saat saal ke haamid (taalha Arshad rehashi) ki hai. Yeh school mein padhne wala maasoom bachcha apne maata isharat (rasika duggal) aur pita rahamat (sumeet kaul) ka laadla hai. Rahamat naav banaane ka kaam karta hai aur shaukiya shaayari bhi kar leta hai. Vah apne bete ko Allah aur duniya se judi achhi-achhi seekh deta hai. Ek raat bete haamid ki sel laane ki jid ko poora karne ke liye rahamat ghar se niklata hai aur fir vaapas naheen aata. Us haadase ke baad haamid ki jindagi hamesha ke liye badal jaati hai. Isharat bete aur khud ko bhoolakar shauhar ki khoj mein lag jaati hai. Haamid ko pata chalta hai ki usaka abboo Allah ke paas hai aur ab vah Allah se apne pita ko vaapas laane ki jugat lagaane lagta hai. Tabhi use ye bhi bataaya jaata hai ki 786 Allah ka number hai. Ab haamid ko Allah miyaan se baat karke apne abboo ko vaapas laane ki baat karni hai. Haamid jab apni baal buddhi ke bal par kisi tarah us number ko das dijit mein badalkar Allah ko kauntaikt karta hai, to vah number CRPF ke javaan abhaya (vikaas Kumar) ko lag jaata hai. Apne parivaar se door Kashmir mein duty par tainaat abhaya swayam apne aise krutya ke aparaadhabodh se daba hua hai, jahaan anajaane mein uske haathon ek maasoom ki jaan ja chuki hai aur vah us bojh ko kam naheen kar pa raha. Kya haamid Allah se apne abboo ko vaapas la paaega? Kya isharat apne gumashuda shauhar ka pata laga paaegi? In tamaam savaalon ke javaab jaanane ke liye aapko film dekhni hogi. Nirdeshak ejaaj Khan ki yeh teesari film hai aur haamid ke bahaane ve naatakeeya va Dirk hue bagair Kashmir ke un muddon ko darshaate hain, jo hamse achhoote naheen hain. Unhonne sena aur kashmeeriyon ka takaraav,alagaavavaadiyon dvaara maasoomon aur kishoron ko aajaadi aur Allah ke naam par baragalaana, Kashmir ke gumashuda logon ka suraag milna, ghar ke mardon ka gaayab ho jaane ke baad beeviyon aur bachchon ka akele rah jaane ka dard, sena ke javaan dvaara Kashmiri parivaar ke liye paida hui sahaanubhooti ko galat arth mein lena, parivaar se door CRPF javaanon ka frastreshan jaisi kai muddon ko bahut hi sanvedanasheelata se chhuaa hai. Bas film ki ek sabse badi samasya hai iski lanbaai. First half bahut khincha hua lagta hai,magar jaise hi haamid ki call Allah urf abhaya ko lagti hai, kahaani daudane lagti hai. Film ki editing kasi hui hoti, to film ka first half majaboot ban padata. Ravindra randhaava aur sumeet Saxena ke samvaad aapko kaheen muskuraane par, to kaheen bahut kuchh sochane par majaboor kar dete hain. Film mein jab nanha haamid sena ke vaahanon par patthar uthaakar maarta hai, to vah drushya aapko stabdh kar deta hai. Sheershak bhoomika mein baal kalaakaar taalha ki maasoomiyt aur abhinay dil ko chhoo jaata hai. Unhonne haamid ki bhoomika ko jis sachaai se jiya hai, vah apne aap mein abhibhoot kar denevaala hai. Apne shauhar ko khojati mahila ke kirdaar ko raasika ne bahut hi saksham andaaj mein nibhaaya hai. Sumeet kaul ko bahut jyaada screen space naheen mila, magar ve apni bhoomika mein yaad rah jaate hain. Abhaya ke roop mein vikaas varma bahut hi sahaj rahe hain. Apne kirdaar mein unka frastreshan aur naramaaiyat donon hi bakhoobi jhalakati hai. Sahayogi kalaakaaron ne bhi film ke anuroop kaam kiya hai. Kyon dekhein- samvedansheel aur alag tarah ki filmon ke shaukeen is film ko jaroor dekhein.

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