teesari kasam (1966 film)

teesari kasam
Teesrikasam.jpg
film ka poster
nirdeshak baasu Bhattacharya
nirmaata shailendr
lekhak nabeindu ghosh
patakatha nabeindu ghosh
abhineta raaj Kapoor,
vaheeda Rahman,
dulaari,
iftekhaar,
asit sen,
si S dube,
Krishna dhavan,
vishva Mehra,
kaisto mukharji,
samar chatarji,
A ke hangal,
ratan gaurang,
sangeetakaar shankar-jayakishn
pradarshan tithi(yaaain) 1966
samay seema 159 minute
desh Bhaarat
bhaasha hindi

teesari kasam (angreji: third oath)1966 mein bani hindi bhaasha ki film hai. isko tatkaal box ofis par safalta naheen mili thi par yeh hindi ke shreshthatam filmon mein gini jaati hai. film ka nirmaan prasiddh geetkaar shailendr ne kiya tha jise hindi lekhak faneeshvar naath 'renu' ki prasiddh kahaani maare gaye gulafaam ki patakatha mili. is film ki asafalata ke baad shailendr kaafi niraash ho gaye the aur unka agale hi saal nidhan ho gaya tha.

yeh hindi ke mahaan kathaakaar faneeshvar naath renu ki kahaani 'maare gaye gulafaam' par aadhaarit hai. is film ke mukhya kalaakaaron mein raaj Kapoor aur vaheeda Rahman shaamil hain. baasu Bhattacharya dvaara nirdeshit teesari kasam ek film gair-paramparaagat hai jo Bhaarat ki dehaati duniya aur vahaan ke logon ki saadagi ko dikhaati hai. yeh poori film Bihar ke arariya jile mein filmaankit ki gayi.

is film ka filmaankan subrat mitr ne kiya hai. patakatha nabendu ghosh ki hai, jabki samvaad likhe hain swayam faneendr naath renu ne. film ke geet likhe hain shaileindr aur hasarat jayapuri ne, jabki film sangeet diya hai, shankar-jayakishn ki jodi ne.

yeh film us samay vyaavasaayik roop se safl naheen rahi thi, par ise aaj bhi adaakaaron ke shreshthatam abhinay tatha praveen nirdeshan ke liye jaana jaata hai. is film ke box ofis par pitne ke kaaran nirmaata geetkaar shailendr ka nidhan ho gaya tha.

anukram

sankshep

heeraaman ek gaadeevaan hai. film ki shuruaat ek aise drushya ke saath hoti hai jismein vo apna bailagaadi ko haaaink raha hai aur bahut khush hai. usaki gaadi mein sarkas company mein kaam karne waali heeraabaai baithi hai. heeraaman kai kahaaniyaan sunaate aur leek se alag le jaakar heeraabaai ko kai lokageet sunaate hue sarkas ke aayojan sthal tak heeraabaai ko pahuaincha deta hai. is beech use apne puraane din yaad aate hain aur lokakathaaon aur lokageet se bhara yeh ansh film ke aadhe se adhik bhaag mein hai. is film ka sangeet shankar jayakishn ne diya tha. heeraaman apne puraane dinon ko yaad karta hai jismein ek baar Nepal ki seema ke paar taskari karne ke kaaran use apne bailon ko chhuda kar bhagaana padta hai. iske baad usane kasam khaai ki ab se "chorabajaari" ka saamaan kabhi apni gaadi par naheen laadega. uske baad ek baar baans ki ladani se pareshaan hokar usane pran liya ki chaahe kuchh bhi ho jaae vo baans ki ladani apni gaadi par naheen laadega.

ant mein heeraabaai ke chale jaane aur uske man mein heeraabaai ke liye upaji bhaavana ke prati heeraabaai ke bematalab rahakar vida lene ke baad udaas man se vo apne bailon ko jhidki dete hue teesari ksam khaata hai ki apni gaadi mein vo kabhi kisi naachane waali ko naheen le jaaega. iske saath hi film khatm ho jaati hai.

mukhya kalaakaar

is film ke mukhya kalaakaar raajakapoor aur vahida Rahman hai. raajakapoo heeraaman aur vahida Rahman heerabai ke vesh me aaye hai. raajkapoo‍aar tab ke shomen the.

  • raaj Kapoor - hiraaman
  • vaheeda Rahman - hiraabaai
  • dulaari
  • iftekhaar - jameendaar vikram Singh
  • asit sen
  • si S dube
  • Krishna dhavan
  • vishva Mehra
  • kaisto mukharji - shivratan
  • samar chatarji
  • A ke hangal
  • ratan gaurang
  • shailendr
  • paradesi
  • shivji bhaai
  • mansaaraam
  • pachhi
  • nabeindu ghosh
  • rekha
  • rehaana
  • keshav
  • amla raani
  • amal sen
  • bi parera
  • fajaloo
  • shinde
  • moolachand
  • harabans
  • paramaanand
  • sabita
  • deenaanaath
  • sabeena
  • chandoolaal

dal

sangeet

geet gaayak geetkaar samay tippani
"sajan re jhooth mat bolo" mukesh shailendr 3:43 lokapriya geet
"sajanava bairi ho gaye hamaar" mukesh shailendr 3:51 lokapriya geet
"duniya banaane vaale" mukesh shailendr 5:03 lokapriya geet
"chalat musaafir" manna de shailendr 3:04 lokapriya geet
"paan khaae saiyaan hamaaro" aasha bhosale shailendr 4:08 lokapriya geet
"haaya gjb kaheen taara toota" aasha bhosale shailendr 4:13
"maare gaye gulafaam" lata mangeshakar hasarat jayapuri 4:00
"aa aa aa bhi ja" lata mangeshakar shailendr 5:03

rochak tathya

  • kaha jaata hai raaj Kapoor ne is film ke liye apne mitr va nirmaata se sirf ek rupaya liya|
  • hindi 'sparsh 2' paathyapustak mein yeh film 'teesari kasam ka shilpkaar shailendr' naamak paath hai.

parinaam

bauks office

yeh film ek hit film naheen thi. is film ko prachaarit naheen kiya gaya tha. is film ke geet bahut maara gaya tha.

sameekshaaeain

kahaani Hiraman, arariya mein ek doorasth gaaainv (Bihar), jo ek bailagaadi apni aajeevika kamaane ke liye drive se ek dehaati graameen ke baare mein hai. kahaani Hiraman vah kathin paristhitiyon se gujarana tha par aadhaarit do pratijnyaa lagaataar lene, isse pehle ki vah ek nautanki nartaki, Hirabai milta ke saath shuroo hota hai. kahaani jald hi ek bailagaadi chaalak aur ek shahari nautanki nartaki ke beech dosti ki kahaani mein badal deti hai. film, ant mein, Hiraman teesare vrat lene ke saath samaapt hota hai.

Hiraman (raaj Kapoor) roodhivaadi paaramparik moolyon ke saath ek bailagaadi chaalak hai. jabki usaki bailagaadi aur police se kareeb bhaagane par taskari aur avaidh maal Hiraman vrat leta hai (pehli kasam) apni gaadi mein le kabhi naheen fir se avaidh maal. jabki usaki bailagaadi par lakdi vyaapaari ke liye baans parivhan, vah do aadamiyon ko jab apne ghode Hiraman gaadi ke baans se vichlit kar deta hai hai dvaara peeta jaata hai. us ghatna ke baad, Hiraman ek aur vrat (doosra kasam) mein apni gaadi mein baans naheen le jaane ke liye fir se leta hai.

ek raat, Hiraman Hirabai (vaheeda Rahman), 40 meal gaaainv mele ke liye doori ke liye ek yaatri ke roop mein ek nautanki nartaki le poochha. ke roop mein ve ek saath yaatra Hiraman samay se gujaarein gaati hai aur mahuaa ki katha ki usaki kahaani bataata hai. ke roop mein yaatra ki pragati, Hirabai Hiraman ki maasoomiyt aur apne jeevan ke saadhaaran darshan se mantramugdh hai. badle mein Hiraman use pavitrata ke doot ke roop mein dekhta hai.

ek baar jab ve gaaainv nishpaksh pahuainche, Hiraman bail car draaivaron aur Hirabai nautanki company mein milti hai unke band ke saath milti hai. Hirabai Hiraman poochhata hai kuchh dinon ke liye gaaainv ke mele mein rahane ke liye uske nrutya ko dekhne ke. Hirabai Hiraman aur apne doston ke liye muft paas ki vyavastha ke har raat ke liye gaaainv nishpaksh run ke roop mein lambe samay ke roop mein nautanki dekhne ke.

ke roop mein Hiraman nautanki aati hai, vah jaante hain ki anya log use veshya ke roop mein dekhte hain aur use pareshaan karne ke liye aata hai. vah use dhaal aur use samaaj se bachaane ki koshish karta hai. donon ke beech bandhan ko majaboot badhta ke roop mein din mele mein gujarata hai. vah sthaaneeya logon ke saath jo use aur uske peshe ke khilaaf bolte jhagade mein shaamil ho jaata hai. Hirabai karne ke liye use uske jeevan ki kathor vaastavikta ko samajhne ki koshish karta hai. Hiraman use poochhata hai uske peshe ko chhod aur sammaanajanak jeevan jeene shuroo. Hirabai karne ke liye apne abhinay kairiyr chhod inkaar kar diya. avasaadagrast Hiraman gaaainv nishpaksh aur apne gaaainv ke liye return chhod deta hai.

matlab samay mein, Hirabai Hiraman begaraj pyaar ko samajhta hai. Hirabai Hiraman milta hai aur uske ateet ke rahasya hai ki vah pehle se hi becha gaya hai aur vah ab kunvaari sundarata hai pata chalta hai. Hirabai unke gruhanagar ke liye deta hai. Hirabai apne jeevan se door ja raha dekhne ke baad, Hiraman teesare (teesari kasam) vrat ke liye apni gaadi mein le kabhi naheen fir se nautanki company nartaki leta hai.

vishleshan baasu Bhattacharya ki teesari kasam saral, bhaavapoorn aur samajhdaar Phanishwar naath ki laghu kahaani 'ghodi gaye Gulfam' par aadhaarit gaatha hai. teesari kasam nichle madhyam varg aur jaldi 20 veen sadi ke Bhaarat mein oopari madhyam varg ke saanskrutik sangharsh ki maarmik adhyayan hai. Hiraman paaramparik madhyam varg kam aur roodhivaadi moolyon ke saath badhi Hirabai aadhunik oopari madhyam varg mein udaaravaadi moolyon ke saath vruddhi hui. film ke baare mein sabse prabhaavashaali pahaluon mein se ek hai kaise apni saajish kareingi aur kaise yeh do alag sanskruti sangharsh maanate hain. moovi kahaani abhi tak ek itmeenaan se lubhaavana akshar aur dehaati maahaul ki sthaapana gati se chalta hai. tarah Hiraman aur Hirabai milta hai, baatcheet, ek doosare ke kareeb ho rahi hai aur jis tareeke se ve alag ho is film ka asli dil ki dhadkan hain.

haalaanki Bhaarat ki pehli rangeen film, raaj Kapoor sangam (1964) do saal pehle jaari kiya gaya tha, nirmaata shaileindr aur nirdeshak baasu Bhattacharya is film mein B & W mein yeh ek paaramparik puraane yug mahasoos dene ke liye karna chaahata tha. subrat mitra ka chhaayaankan B & W jaldi 20 veen sadi ke graameen Bhaarat mein adviteeya antardrushti pradaan karta hai. antim drushya mein bahut pehle drushya se, teesari kasam mool graameen uttar - Bhaarat ke samaaj chitrit mein nirdosh rahata hai.

raaj Kapoor ke roop mein ek maasoom, bholi, bhola bailagaadi chaalak aur ke roop mein vaheeda ek gaaainv nautanki nartaki, mithaai ka saamana karna pada unke sambandhit kairiyr ka sarvashreshth pradarshan suvidhaaon aur film par apni anant staanp patte. raaj Kapoor "Ishh" aur vaheeda tredamaark saral sundarata ke saath sharama hai aur abhinay ke refreshingly praakrutik shaili ke is udyam ki sahi pehchaan kar rahe hain.

Chalat musaafir moh liya re, duniya Bananewale kya tere main, aasha hai bhosale pauraanik lok geet - - paan Khaye Sainyaan Hamaro, mukesh classic geet - saajan re jhooth shankar ne jayakishn hai shaileindr geet par pauraanik score mahaanatam hindi cinema mein sangeet rachanaaon mein se ek ke roop mein maana jaata hai Mat bolo, Sajanwa Bairee ho gaye Humaar, Maare gaye Gulfaam aur paaramparik lok geet uttar bhaarateeya gaaainv mein nai dulhan ke mana aagaman - laali laali Doliya mein laali re dulhaniya piya ki Piyari bholi Bhali re dulhaniya. unamein Maare gaye Gulfaam aur paan Khaye Sainyaan Hamaro showcases vaheeda ki tarah ek mukt bah charan nartaki ke roop mein lok geeton.

[sampaadit karein] triviya raaj Kapoor keval ek rupae ke liye is film par kaam kiya hai, ke roop mein yeh apne pyaare dost shaileindr dvaara utpaadit kiya gaya tha [prashasti patra ki jaroorat].

naamaankaran aur puraskaar

  • 1966 raashtrapati svarn padak - sarvashreshth film
  • 1967 raashtreeya film puraskaar - sarvashreshth film
  • 1967 Moscow antarraashtreeya filmotsav: graan pre - naamaankan

baahari kadiyaaain