shankar-ehasaan-lauya

shankar-ehasaan-lauya

(baaeain se daaeain), loya meindonsa, shankar mahaadevan, ehasaan nooraani
prushthabhoomi ki jaankaari
shaili filmi sangeet, theatre, vishv sangeet
vyavasaaya geetkaar, rikaard nirmaata, sangeetakaar, gaayak, instroomeintalist, sangeet prabandhakarta, prograamar
sakriya varsh 1997 se ab tak
sambandhit pradarshan shakti
jaalasthal/website ShankarEhsaanLoy.com
vartamaan sadasya
shankar mahaadevan
ehasaan nooraani
loya meindonsa


shankar-ehasaan-lauya(angreji: Shankar–Ehsaan–Loy) bhaarateeya sangeetakaar tikdi hai, yeh tikdi shankar mahaadevan, ehasaan nooraani aur lauya meindonsa se mil kar bani hai aur kai bhaarateeya filmon ke liye sangeet pradaan karti hai. ye Bollywood ke sabse lokapriya aur sameekshakon ke dvaara bahuprashansit sangeet nirdeshakon mein ek hain. unhonne kai filmon ke liye prasidd kaarya kiye jaise mission Kashmir(2000), dil chaahata hai (2001),kal ho na ho (2003), banti aur babali (2005), kabhi alvida na kehna (2006), Don- the ches bigins agen (2006), taare jmeen par (2007), rok on !! (2008), vek ap sid (2009), maaya name is Khan (2010), kaartik kauling kaartik (2010) aur haausaful(2010).


anukram

praarambhik jeevan

shankar mahaadevan ek arhataapraapt software injiniyr hain jinhonne orekal ke chhathe sanskaran par kaam kiya aur pashchimi, hindustaani aur karnaataki shaastreeya ka adhyayan kiya. ve pukaar, sapane aur beevi number 1 ke pramukh plebaik singar (gaayak) hain, unhonne brethales ki bhi rachana ki.

ehasaan nooraani ne loss enjils mein myujishiyans insteetyut mein sangeet ka adhyayan kiya aur roni Desai aur loois bainks ke saath kaam kiya. unhonne eleen dijaayar ki rachana ki, kai jingals kiye aur lauya ki tarah, ve bloos-end-esid jej band ka hissa the. lauya meindonsa pashchimi shaastreeya sangeet mein prashikshit hain aur unhonne bhaarateeya shaastreeya sangeet ka aaranbhik gyaan bhi praapt kiya. unhonne kai band samoohon ke saath kaam kiya, kai naatak kiye (godaspel, vest side story, jeesas kraaist superstar) aur jingals ki rachana ki aur kai dhunein banaayeen (fauji, the world dis week.)[1]

ek saath kaam karne se pehle ehasaan jingals kar rahe the aur lauya Delhi mein the. us samay lauya telivijn ke liye likhte the. sho 'quiz time' unka pehla kaam tha aur siddhaarth Basu ne unhein pehla break diya.

uske baad unhonne pranaya rai ki ki 'the world dis week' ki. saath hi kai aur sho bhi aaye aur unhonne theatre aur Shahrukh Khan ki fauji bhi ki. lauya ne A. aar. Rahman ke saath keebord vaadak ke roop mein bhi kiya aur shankar ne unke liye kai prasidd track gaaye hain. uske baad ve bombe aa gaaye aur jingals karna shuroo kar diya. ve ehasaan ke saath jud gaaye aur unhonne sangeet par kaam karna shuroo kiya. ehasaan ne hit sitkom shaanti ke liye bhi sangeet diya tha. fir shankar aaye aur bhaarateeya bit par kuchh kaam kiya. tab se aaj tak ve ek tikdi ke roop mein kaam kar rahein hain.[2]

tikdi ke roop mein kairiyr

shankar-ehasaan-lauya ne kampojr ke roop mein pehli baar mukul aanand ki film das mein kaam kiya. aanand ki mrutyu ke baad film adhoori rah gayi, haalaanki, elbam jo baad mein release hui thi, bade paimaane par lokapriya hui. iske baad unhonne do filmon ke liye sangeet ki rachana ki, rokaford aur Bhopal express, lekin is kaam par dhyaan naheen diya gaya. vidhu vinod Chopra ki mission Kashmir ke saath unhonne cinema ki mukhyadhaara mein pravesh kiya, iska sangeet hit raha aur iske saath hi unhein Bollywood film udyog mein ek tikdi ka sthaan mil gaya. unhein iske liye aaifa (IIFA) mein bhi nominet kiya gaya.[3] sangeet nirdeshak ke roop mein dil chaahata hai ke saath unke kairiyr mein ek mod aaya, jo nirdeshak ke roop mein farahaan Akhtar ki pehli film thi. sameekshakon ke dvaara is film ki bahut adhik prashansa ki gayi aur darshakon ne bhi ise saraaha.[4] isne eksel entertainment ke saath is tikdi ke deerghakaalik sambandh ki shuruaat ki.

dil chaahata hai ke baad, unki agali badi film thi dharma production ki kal ho na ho, jiske nirdeshak nikhil adavaani the. is elabam ne sabse jyaada bikne waali elabam ke pichhle sabhi record tod diye. iske sangeet ki sameekshon ne bahut prashansa ki, vyaavasaayik roop se iski saraahana ki gayi aur sarvottam sangeet nirdeshan ke liye national film award sahit isne kai award jeete.[5] tab se, unhonne dharma production aur iske maalik aur nirdeshak karan johar ke saath kai baar kaam kiya hai,[6][7][8] ismein unki kabhi alvida na kehna bhi shaamil hai. iske soundtrack ne kal ho na ho ka record tod diya aur ek baar fir se ve Bollywood sangeet ke sarvashreshth vikreta ban gaye.

shaili

is samooh mein tikdi ke pratyek sadasya ki pratibha aur anubhav ka sanyojan dekhne ko milta hai, yeh tikdi karnaataki aur hindustaani gaayan parampara (shankar), pashchimi rock (ehasaan) aur electronic sinthesaaijr mein mahaarat sahit sanlayan ki gahari soojh bujh (lauya) ka sanyojan prastut karti hai. ve Bollywood ke sangeet ki ek aam parampara ko jaari rakhe hue hain, ki sangeetakaaron ke beech ki yeh saajhedaari unki vyaktigat kshamata ko sashakt banaati hai aur usamein yogadaan deti hai, kabhi kabhi hindustaani ka gahre gyaan (uttar bhaarateeya) ya karnaataki (dakshin bhaarateeya) shaastreeya sangeet aur takaneeki visheshajnyaata ka sanyojan in sangeetakaaron aur aarkestra vaadakon mein dikhaai deta hai. shankar-ehasaan-lauya, sangeetakaaron ki sanbhavataya pehli tikdi hai jo apne chart-tauping sangeet se Bollywood ke darshakon ka manoranjan karti hai.[9] ve dheere dheere Bollywood sangeet ke 'amar-Akbar-enthoni' ke roop mein lokapriya hote ja rahe hain.


Bollywood ke sangeetakaaron ka lakshya un yuva darshakon mein roochi paida karna hai jo pashchimi sangeet aur prabhaavon se adhik prerit hote hain. choonki ek film ka sangeet (soundtrack) bahut prabhaavi hota hai aur vyavasaayik aur aalochanaatmak safalta praapt karne mein jatil mahatvapoorn avayav ki bhoomika nibhaata hai, kabhi kabhi box office par aundhe munh gir jaata hai. 'ek film ki delivery' ko lekar is tathya ne hamesha se sangeetakaaron ko aisi dhunein banaane ke liye prerit kiya hai jo sarvottam paaramparik bhaarateeya sangeet aur lokapriya pashchimi ya antarraashtreeya prabhaav ka sanyojan ho, Bollywood ki adhikaansh lokapriya sangeet rachana shaastreeya bhaarateeya raag ke aadhaar par ki gayi hai (sanskrut mein "raag" ka shaabdik arth hai "rang" ya "mood"). shankar-ehasaan-lauya ne safalataapoorvak is rikt sthaan ko bhara hai. unhonne sameekshaatmak aur vyavasaayik safalta ke saath saath Bollywood press aur megjeens, TV channelon se kai avaards jeete hain aur lagaataar jeet rahe hain. unhonne ek national film award (kal ho na ho, 2003) bhi jeeta hai[krupaya uddharan jodein]. unki safalta mein kai kaarakon ne yogadaan diya hai, jismein unke aarkestra pailet ke roop mein ruchikr sangeet upakaranon aur dhvani ko apnaaya jaana, lokapriya TV sangeet pratibha sho mein nayi aavaajon ko shaamil karna aur gaane se pehle aane vaale film ke drushya mein sangeet ke sahi 'ehsaas' ko daalna shaamil hai.

aksar saath kaam karne vaale

shankar ehasaan lauya ne farahaan Akhtar aur ritesh sidhvaani ke dvaara sthaapit, eksel entertainment ke dvaara banaayi gayi adhikaansh filmon ke liye sangeet rachana ki hai. unhonne karan johar ke dharma production ke liye bhi kaafi kaam kiya hai. iske aalaava unhonne kai ullekhaneeya nirdeshakon jaise nikhil adavaani, shaad Ali, shreeraam raaghavan aur saajid Khan ke saath bhi kaam kiya hai.

geetkaar jaaved Akhtar ke saath unke kaam ko, bhaarateeya cinema ke sabse safal kaaryon mein se ek maana jaata hai. haalaanki is tikdi ke dvaara rachit adhikaansh gaane jaaved Akhtar ke dvaara likhe gaye hain, ve kai anya geetakaaron se bhi jude rahein hain jaise gulajaar, sameer aur prasoon Joshi.

sammaan aur puraskaar

is tikdi ne kai award jeete jismein filmafeyar avaards (banti aur babali, kal ho na ho), aar di barman award (dil chaahata hai) aur star screen avaards (mission Kashmir, banti aur babali, dil chaahata hai) shaamil hain. ve 2004 mein, ho ke liye sarvashreshth sangeet nirdeshan ke liye raashtreeya film puraskaar jeeta.

puraskaar aur sammaan ki sankshipt soochi

  • RD sarvashreshth sangeet nirdeshan ke liye barman puraskaar (2001) - dil chaahata hai
  • raashtreeya sarvashreshth sangeet nirdeshan ke liye ke liye film puraskaar (2004) - kal ho na ho
  • sarvashreshth sangeet nirdeshan ke liye film fair puraskaar - kal ho na ho (2004) aur (banti aur babali (2006)
  • IIFA sarvashreshth sangeet nirdeshak - kal ho na ho (2004) aur (banti aur babali (2006)
  • 2011 mein Jack daaniyel years of ekssalleins puraskaar - pichhle do dashakon mein unke sangeet mein yogadaan ke liye

sandarbh

baahari link