pinjar (chalachitr)

pinjar(hindi : pinjar, urdoo: پaaنaaجaaر, punjabi: ਪaaਿaaੰaaਜaaਰ) chandra prakaash Dwivedi dvaara nirdeshit 2003 ki film hai. film Bhaarat ke vibhaajan ke dauraan hinduon aur musalmaanon ki samasyaaon ke baare mein hai. film amruta preetam dvaara likhit isi naam ke ek punjabi upanyaas par aadhaarit hai. urmila maatondakar, manoj baajapeyi aur sanjaya soori pramukh bhoomikaaon mein hain. aalochakon ki prashansa ke alaava, film ne raashtreeya ekta par sarvashreshth feature film ke liye raashtreeya film puraskaar jeeta.

  • chandra prakaash Dwivedi dvaara nirdeshit
  • chandra prakaash Dwivedi dvaara patakatha
  • amruta preetam ki kahaani
  • amruta preetam dvaara pinjar ke aadhaar par
  • abhineet urmila maatondakar, manoj baajapeyi, sanjaya soori, kulabhooshan kharabanda, isha koppikr, fareeda jalaal, sandaali sinha, priyaanshu chatarji
  • uttam Singh dvaara sangeet
  • santosh thundiyil dvaara chhaayaankan
  • balloo salooja dvaara sanpaadan
  • release taareekh 24 October 2003
  • samay 188 minute


anukram

bhookhand

yeh kahaani 1947 ke vibhaajan ke samay ki hai. pinyar pooro ki kahaani hai, jo apne parivaar ke saath ek sundar jeevan ji rahi hoti hai. pooro ka rishta ek pyaara javaan ladka, raamachand, ke saath tay ho jaata hai jo ek honahaar parivaar se hai. pooro ki khushiyaaain tab bikhr jaati hai jab vah apni chhoti bahan rajjo ke saath ek itmeenaan yaatra par jaati hai aur ek rahasyamaya muslim aadmi, rasheed, usaka apaharan kar leta hai. rasheed ke parivaar aur pooro ke parivaar ke beech ek pushtaini vivaad hai. pooro ke parivaar ne rasheed ke parivaar ki sampatti lekar unhe beghar kar diya tha. aur to aur pooro ke bhavya chaacha ne rasheed ki bhavya chaachi ka apaharan kar liya aur fir use apavitr kar ke use chhod diya tha. rasheed ke parivaar ne use vah badla chukaane ke liye pooro ka apaharan karne ki kasam khilaayi thi.

yeh spasht hai ki rasheed pooro ke liye kuchh bhi karne ko taiyaar hai. ek raat, pooro bhaagane aur uske maata - pita ko vaapas jaane mein safal hoti hai. uske maata pita use dukhi hokar samajhaate hain ki agar vo yahaaain rahegi to Rashid ki vistaarit muslim kabeele har kisi ka vadh kar deinge, yeh samjha kar ve apni beti ko vaapas bhej dete hain. bina kisi sahaare ke pooro rasheed ke paas vaapas aa jaati hai. rasheed uske bhaagane se achhi tarah se vaakif hai, kyonki use pata tha ki uske maata pita use apanaayeinge naheen aur isaliye vah paas hi intajaar kar raha tha. kuchh hi maheenon ke baad pooro ke parivaar rajjo ki shaadi raamachand ke chachere bhaai se kara dete hain aur raamachand ki chhoti bahan, laajo ki shaadi unke putr trilok se. is beech rasheed pooro (hameeda) se nikaah kar leta hai aur ve sadak par mile ek bachche ko apna kar use bahut sneh aur pyaar se paalate hain. jab gaanv ke logon ko pata chalta hai ki bachcha hindu prushthabhoomi se hai to ve use donon se door le jaate hain.

british sarkaar Bhaarat chhod jaati hai aur Bhaarat vibhaajan ke prabhaav se joojh raha hota hai. raamachand ke chaacha, chachere bhaai aur rajjo Bhaarat ke liye pehle nikal jaate hain aur surakshit hain. raamachand aur uske maata pita aur laajo dangon mein fans jaate hain. raamachand ke pita pehle se hi gaayab hain aur raamachand turant apni chhoti bahan laajo aur maaain ke saath Bhaarat ke liye nikal jaata hai. kuchh hi samay baad, gunde laajo ka apaharan kar lete hain. pooro raamachand se milti hai, jo use laajo ka dukhada sunaata hai. pooro laajo ka pata dhoondhati hai aur use rasheed ki sahaayata se bhaagane mein madad karti hai. ve use Lahore le jaate hain jahaaain trilok aur raamachand use lene ke liye aate hain.

trilok aur usaki bahan pooro ka purnamiln hota hai aur vah use bataata hai ki raamachand ab bhi use sveekaar karne ke liye taiyaar hai aur vah nae sire se jindagi shuroo kar sakti hai. pooro mana karke use aashcharyachakit kar deti hai aur kehti hai ki vah vaheen hai jahaaain use hona chaahiye. yeh dekhkar ki pooro ne rasheed ko sveekaar kar liya hai, raamachand pooro ko jabaradast sahaanubhooti ke saath badhaava deta hai. pooro ko apne logon ke saath aasaani se chhodne ke liye Rashid dheere-dheere gaayab hone ki koshish karta hai, lekin usaka dil toot jaata hai kyonki vah use dilo-jaan se chaahata hai. fir bhi pooro rasheed ko dhooaindh leti hai aur donon ​a​adabadabaai aaainkhon se hamesha ke liye raamachand, trilok aur laajo ko vida kar dete hain.

kalaakaar

  • pooro (baad mein hameeda) : urmila maatondakar
  • rasheed : manoj baajapeyi
  • raamachand : sanjaya soori
  • laajo : sandaali sinha
  • trilok : priyaanshu chatarji
  • rajjo : isha koppikr
  • taara (pooro ki maan): lilet dube
  • mohanalaal (pooro ke pita) : kulabhooshan kharabanda
  • shyaamalaal (raamachand ke pita) : aalok naath
  • raamachand ki maaain : fareeda jalaal
  • pagali : seema bisvaas
  • raheem ke chaachi : deena paathak
  • raheem ki maaain : sudha shivpuri
  • raheem ki patni : paraveena baano
  • hukamachand : pradeep kukareja
  • hukamachand ki patni : saleema raja
  • prabandh nirdeshak : gulaam aarif
  • rasheed ke bhaai: rohitaash gaud


puraskaar

2004 ke filmafeyar sarvashreshth kala nirdeshan ka puraskaar muneesh sappal ko mila. manoj Vajpayee ko apni bhoomika ke liye raashtreeya puraskaar mila.


sandarbh

 http://www.tribuneindia.com/2005/20051105/saturday/main1.htm Chandigarh the tribyoon 5 November 2005. 29 March 2012 ko liya gaya.


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