naseeruddeen shaah

naseeruddeen shaah

naseeruddeen shaah hindi filmon ke ek prasiddh abhineta hain.

naseeruddeen shaah, jinhein hindi film industry mein adaakaari ka ek paimaana kaha jaae to shaayad hi kisi ko etaraaj ho. naseer ki kaabiliyt ka sabse bada suboot hai, cinema ki donon dhaaraaon mein unki kaamayaabi. naseer ka naam agar pairelal cinema ke sabse behatareen abhinetaaon ki feharist mein shaamil hua to Bollywood ki main streem ya kamarshiyl filmon mein bhi unhonne badi kaamayaabi haasil ki hai.

naseer apne shaanadaar harfanmaula andaaj se ban gaye main streem ke chahete sitaare, aisa sitaara jisne har tarah ke kirdaar ko behatareen abhinay se jinda kar diya. ye sitaar jab bhi screen par aaya dekhne vaale ke jehan par us kirdaar ki yaadagaar chhaap chhod gaya. usaki Comedy ne pablik ko khoob gudagudaaya to action mein bhi usaka alag hi andaaj najar aaya.

menastreem cinema mein naseeruddeen shaah ke safar ki shuruaat hui 1980 mein I film 'ham paanch' se. film bhale hi kamarshiyl thi, lekin ismein naseer ke abhinay ki gaharaai pairelel cinema waali filmon se kam naheen thi. gulaami ko apni takadeer maan chuke ek gaanv mein vidroh ki aavaaj buland karte naujavaan ke kirdaar mein naseer ne jaan foonk di. film mein mithun chakravarti aur raaj babbar bhi the lekin naseer ke damadaar abhinay ne unhein sabse alag khada kar diya.

haalaanki film box office par kaamayaab naheen rahi aur ek kamarshiyl actor ke taur par safalta saabit karne ke liye naseer ko ticket khidki par bhi bikaaoo banane ki jaroorat thi. aur unke liye ye kaam kiya 'jaane bhi do yaaron' ne. Bollywood ki all time best Comedy filmon mein shumaar ki jaane bhi do yaaron mein ravi vaasavaani aur naseer ki jodi ne bejod kaumik timing dikhaai aur film behad kaamayaab rahi. lekin kamarshiyl cinema mein naseer ki sabse badi kaamayaabi bani 'maasoom'. baap aur bete ke rishton ko ukerati 'maasoom' mein naseer ne kamaal ki adaakaari se na keval khoob vaahavaahi batori balki film bhi superhit hui aur naseer ko mil gaya ek star ka darja.

naseer ke is star status ko aur majaboot kiya 1986 mein I subhaash ghai ki malteestaarar mega-budget film 'karma' ne. film mein naseer ke liye apni chhaap chhodna aasaan naheen tha kyonki vahaan abhinay samraat dileep Kumar bhi the. aur us daur ke nae navele sitaare jaiki shrauf aur anil Kapoor bhi. baavajood iske pairelel cinema ka ye superstar khairuddeen chishti ban kar pablik ki sabse jyaada taaliyaan aur seetiyaan bator le gaya.

1987 mein gulajaar ki 'ijaajat' naseer ke liye kaamayaabi ka ek aur jariya ban kar I. ek jajbaati kahaani, behatareen nirdeshan, shaanadaar abhinay aur yaadagaar sangeet. 'ijaajat' ne box office par jabaradast kaamayaabi haasil ki. aur bataur kamarshiyl actor naseer ka rutaba aur badh gaya. 'tridev' jaisi superhit film dekar, 90 ka dashak aate-aate naseer ne kamarshiyl filmon mein bhi apni alag pehchaan bana li thi. Bollywood ki main streem filmon mein naseer apni kaamayaabi ki kahaani aage badhaate ja rahe the to unki adaakaari ke charche saat samandar paar tak pahunch gaye.

2003 mein I Hollywood film 'the league of eksatra ordinri jeintalamen' mein naseeruddeen ne captain neemo ka kirdara nibhaaya to doosari taraf Pakistani film 'khuda ke liye' mein bhi unhonne shaanadaar kaam kiya. desh se lekar parades tak, naseeruddeen shaah ne apni adaakaari ka loha saari duniya mein manavaaya hai. lekin naseer apni kaabiliyt ko khushakismati ka naam dete hain. vo kehte hain, 'main khud ko khushkismat maanata hoon ki mujhe itne mauke mile, lekin main kamarshiyl filmon se abhi saitisfaai naheen hoon.'

2008 mein I 'a vedanesade' ne naseer ki kamaal ki adaakaari ka ek aur najaraana pesh kiya to 'ishkiya', 'raajaneeti', 'saat khoon maaf' aur 'darti pikchar' jaisi filmon ke jariye naseeruddeen ne baar-baar ye saabit kiya ki ek sachche kalaakaar ko umr baandh naheen sakti. haal hi mein release hui film 'maiksimm' mein bhi naseer ki jordaar acting ne pablik ko khoob entaraten kiya hai. vaakai naseeruddeen shaah jaise actors ko na to desh ki sarahadein baandh sakti hain, na umr ki janjeere thaam sakti hain.

har rol mein fit naseeruddeen shaah aaj ke naseeruddeen shaah ki baat karein to shaayad hi aisa koi rol hai jo unapar fit naheen baithe. aakhir vo actor hi aise hi ki har rol ke mutaabik khud ko dhaal lete hain. lekin ek vakt tha jab naseer ko do rol karne ki dili khvaahish thi jo us vakt unhein mile naheen. lekin baad mein unke aramaan jaroor poore hue. 'mirja gaalib', dooradarshan ka vo dhaaraavaahik jisne kitaabon mein band mirja gaalib ko jinda kar diya. us seeriyl ne chhote parde par gaalib ki aisi tasveer ubhaari jo sinemaai kam aur real jyaada lagi aur ye sab mumkin hua tha us chehare ke boote jiska naam hai naseeruddeen shaah.

lekin aap jaanakar hairaan rah jaaenge ki gaalib banane ki naseer ki tamanna unke dil mein ek adhoore khvaab ki tarah ataki hui thi. 1988 mein seeriyl banaane se saalon pehle gulajaar saahab gaalib par ek film banaana chaahate the aur us film mein gaalib ke taur par unki dili ichha sanjeev Kumar ko lene ki thi.

naseer saahab ne is baare mein bataate hue kaha, 'mainne gulajaar bhaai ko chiththi likhi aur apni fotograafs bheji, mainne likha ki ye kya kar rahe hain, is film mein aapko mujhe lena chaahiye.' lekin sanjeev Kumar ko dil ka daura pad gaya tha aur sehat unka saath naheen de rahi thi. fir uske baad gulajaar saahab ke dil mein us rol ke liye Amitabh ke naam ka khayaal aaya. lekin vahaan bhi baat naheen bani aur aakhirkaar gaalib par film banaane ka plaan hi thande baste mein pad gaya. shaayad us vakt gulajaar ko bhi naheen maaloom hoga ki is kirdaar par to takadeer ne kisi aur ka naam likh diya hai. kai saal baad gulajaar saahab ne ek din naseer ko phone lagaaya. naseer ne bataaya, 'ek din mujhe gulajaar bhaai ka phone aaya ki seeriyl mein kaam karoge. mainne poochha kaun sa seeriyl to unhonne bataaya gaalib par hai. mainne bina kuchh soche fauran haan kah diya.'

ye naseer ki pehli khvaahish thi jo der se hi sahi lekin poori jaroor hooi aur unhonne gaalib ke kirdaar ko yaadagaar bana diya. naseer saahab ki ek aur dili khvaahish thi. ye khvaahish thi Gandhi ke rol ko karne ki. kehte hain jab richrd etinbaro 'Gandhi' film ban rahe the to vo uske liye odishn bhi dene pahunche the. lekin unhein select naheen kiya gaya aur rol ben kingsale ko mila. naseer ki tamanna adhoori hi rah gayi. lekin vo chaahate the ki kisi aur film mein hi sahi lekin Gandhi ka kirdaar ek baar unhein nibhaane ka mauka mile aur vo mauka bhi ek din aa hi gaya.

saal 1982 mein 'Gandhi' ke release hone ke atthaarah saal baad kamal Hassan ne 'he Ram' banaai, jisne naseer saahab ki doosari adhoori tamanna ko poora kar diya. is film mein unhein Gandhi ka kirdaar nibhaane ka mauka mila. sadhi hui adaakari aur bejod andaaj se unhonne na keval Gandhi ke kirdaar mein jaan daal di balki ek baar fir saabit kar diya ki aakhir unke takkar ko koi doosra actor Bollywood mein koi aur kyon naheen hain.

nakaaraat‍aamak bhoomikaaon mein bhi chhodi pehchaan bejod acting aur gajab ki range se har tarah ke kirdaar nibhaane vaale naseer ne apni ek khaas chhaap chhodi negetiv rols mein. pairelal cinema ka ye bada hero kamarshiyl filmon mein ek khtaranaak vilen ke taur par bhi hamesha yaad kiya jaata rahega.

hindi cinema mein vilen ka ye naya chehara tha, khoonkhaar aur ajeebogareeb shakl wala koi gunda naheen balki sofestiketed insaan jiske dimaag mein sirf jahar hi jahar tha. vilen ka ye kirdaar jitna sanjeeda tha usase bhi jyaada sanjeedagi se use nibhaaya tha naseeruddeen shaah ne. vaise vilen ke taur par ye unki ek do filmein naheen tha. 'mohra' mein unhonne dikhaaya vilen ka vo chehara jo kisi ke bhi dil mein khauf paida kar sakta hai. andha hone ka naatak karne wala ek shikaari. lekin ye naseer ki asli pehchaan naheen thi.

naseer ka pehla p‍aayaar hai pairelal cinema naseer ki asli pehchaan pairelal cinema tha. cinema ki vo dhaara jismein ek star ke liye kam aur actor ke liye gunjaaish jyaada hoti hai. aur ye baat kisi se chhupi naheen ki naseer ek actor pehle aur star baad mein hain. pairelal cinema ke is sabse bade sitaare ne smita Patil, shabaana aazmi, Amrish puri aur om puri sareekhe maahir kalaakaaron ke saath milkar Art filmon ko ek nai pehchaan di. 'nishaant' jaisi seinsetiv film se abhinay ka safar shuroo karne vaale naseer ne 'aakrosh', 'sparsh', 'mirch masaala', 'bhavani bhavaai', 'ardhasatya', 'mandi' aur 'chakr' sareekhi filmon mein abhinay ka nai misaal pesh kar di.

har film mein ek naya kirdaar aur har kirdaar ke saath ek nae naseer. nigetiv kairektar ho, ya aam aadmi ki bhoomika, khaalis masaala filmein ho ya seeriys pairelal cinema, naseer adaakaari ka aisa sona hain jo dhal sakta hai kisi bhi kirdaar ke saanche mein.

anukram

vyaktigat jeevan

aapke bhaai lefti jan jmeeruddeen shaah Aligadh muslim vishvavidyaalaya ke up kulapati hain. naseeruddeen shaah ka janm 20 July 1950 ko uttar pradesh ke baaraabanki mein hua tha. naseerooddeen shaah ne Aligadh muslim vishvavidyaalaya se snaatak ki padhaai poori ki aur fir unhonne national school of drama mein daakhila liya. abhinay ke is pratishthit sansthaan se abhinay ka vidhivt prashikshan lene ke baad ve rangamanch aur hindi filmon mein sakriya ho gaye. naseerooddeen shaah ki filmon ki soochi mein samaanaantar aur mukhya dhaara ki filmon ka anootha sammiln dekhne ko milta hai.

pramukh filmein

naseerooddeen shaah ka kairiyr naseerooddeen shaah ne apne kairiyr ki shuruaat film 'nishaant' se ki thi jismein unke saath smita Patil aur shabaana aazmi jaisi abhinetriyaan theen. 'nishaant' ek Art film thi. yeh film kamaai ke hisaab se to peechhe rahi par film mein naseeruddeen shaah ke abhinay ki sabne saraahana ki. is ke baad naseeruddeen shaah ne 'aakrosh', 'sparsh', 'mirch masaala', 'alabart pinton ko gussa kyon aata hai', 'mandi', 'mohan Joshi haajir ho', 'arddh satya', 'katha' aadi kai Art filmein keen. Art filmon ke saath vah kaumarshiyl filmon mein bhi sakriya rahe. 'maasoom', 'karma', 'ijaajt', 'jalwa', 'hero heeraalaal', 'gulaami', 'tridev', 'vishvaatma', 'mohra', 'sarafrosh' jaisi kaumarshiyl filmein kar unhonne saabit kar diya ki vah sirf Art hi naheen kaumarshiyl filmein bhi kar sakte hain. naseerooddeen shaah ke filmi safar mein ek vakt aisa bhi aaya jab unhonne masaala hindi filmon mein apni upasthiti darj karaane mein koi hichk naheen dikhaayi. vakt ke saath naseerooddeen shaah ne filmon ke chayan mein pun: satarkata baratani shuroo kar di. baad mein ve kam magar, achhi filmon mein apni upasthiti darj karaane lage. film 'he Ram' mein unhonne Gandhi ji ke kirdaar ko parde par utaar kar apne abhinay ka loha manavaaya. naseerooddeen shaah ki abhinay-pratibha Bhaarat tak hi seemit naheen rahi. antararaashtreeya film paridrushya mein bhi naseerooddeen sakriya rahe hain. Hollywood film 'the league of ekstra ordinri jeintalamain' aur Pakistani film 'khuda' jaisi antararaashtreeya filmon mein bhi naseerooddeen shaah ne apni prabhaavi upasthiti darj karaayi. naseerooddeen shaah ne ek film ka nirdeshan bhi kiya hai. haal hi mein vah “aishkiyaa”, “araajaneeti” aur “ajindagi na milegi dubaaraa” jaisi filmon mein apne abhinay ka jaadoo bikher chuke hain.

varsh film charitra tippani
2008 amal
2007 jaane too ya jaane na
2007 shoot on site
2007 haneemoon traivals private limited
2006 krush
2006 shoonya
2006 valley of flauvars
2006 ek dhun banaaras ki
2006 miksad dabals
2006 omakaara
2005 paheli
2005 Iqbal
2005 hom delivery
2005 beeng Cyrus
2005 main meri patni aur vo
2005 parajaaniya
2005 the great new vandaraful
2004 asambhav
2004 main hooain na
2003 teen deevaarein
2003 makabool
2003 the league of eksatraaordinri jeintalamain
2002 enakaauntar
2001 kasam
2001 moksh
2001 monsoon vaiding
2001 mujhe meri beevi se bachaao
2001 guru mahaaguru
2000 toone mera dil le liya
2000 he Ram
2000 gaj gaamini
1999 sarafrosh
1999 Bhopal express
1998 China gate
1998 dand naayak
1998 dhooaindhate rah jaaoge
1998 sar utha ke jiyo
1998 Bombay bauyej
1998 sach a laung jarni
1997 agnichkr
1997 daava
1997 lahoo ke do rang
1997 private Detective
1996 chaahat
1996 Rajkumar
1996 himmat
1995 takkar
1995 naajaayaj
1995 mistar Ahmad
1994 droh kaal
1994 ponthan maada
1994 triyaacharitr
1994 mohra
1993 lutere
1993 sar
1993 kabhi haaain kabhi na
1993 hasti
1993 bedardi
1993 game
1992 vishvaatma
1992 chamatkaar
1992 daakoo aur police
1992 ilektrik moon
1992 tahalaka
1992 time machine
1991 Lakshman rekha
1991 shikaari
1991 ek ghar
1991 maane
1990 police pablik
1990 chor pe mor
1989 khoj
1989 tridev
1988 hero heeraalaal
1988 maalaamaal
1988 pestaun ji
1988 rihaai
1988 the parfekt murder
1988 julm ko jala dooainga
1988 libaas
1988 mirja gaalib
1987 jalwa
1987 ijaajt
1987 ye vo manjil to naheen
1986 jenesis
1986 shart
1986 ek pal
1986 musaafir
1986 karma
1985 gulaami
1985 misaal
1985 mirch masaala
1985 trikaal
1985 aghaat
1985 anantayaatra
1985 khaamosh
1984 maan maryaada
1984 lori
1984 holi
1984 mohan Joshi haajir ho
1984 kandhaar
1984 paar
1984 party
1983 jaane bhi do yaaron
1983 maasoom
1983 haadasa
1983 mandi
1983 arddh satya
1983 katha
1983 vo saat din
1982 baajaar
1982 dil aakhir dil hai
1982 svaami daada
1982 adharashila
1982 sitm
1982 tahalaka
1981 chakr
1981 umaraav jaan
1981 tajurba
1981 bejubaan
1981 sajaaye maut
1980 aakrosh
1980 alabart pinto ko gussa kyon aata hai alabart
1980 ham paaainch sooraj
1980 sparsh
1980 bhavani bhavaai
1979 sunayan
1979 shaayad
1978 junoon
1977 bhoomika
1977 godhooli
1976 manthan
1975 nishaant

bataur nirdeshak

varsh film tippani
2006 yooain hota to kya hota

puraskaar

naseerooddeen shaah ki upalabdhiyaan

naseerooddeen shaah ko 1987 mein padm shri aur 2003 mein padm bhooshan se sammaanit kiya gaya hai.

1979 mein film 'sparsh' (Sparsh) aur 1984 mein film 'paar' ke liye unhein sarvashresht abhineta ka raashtreeya puraskaar mila.

2006 mein film 'Iqbal' ke liye naseeruddeen shaah ko sarvashresht abhineta ka raashtreeya puraskaar mila.

1981 mein film 'aakrosh', 1982 mein film 'chakr' aur 1984 mein film 'maasoom' ke liye unhein sarvashresht abhineta ke filmafeyar award se sammaanit kiya gaya.

varsh 2000 mein unhein “asangeet naatak academy avaarda” se sammaanit kiya gaya.

apni alag shaili aur abhinay kala ki vajah se aaj bhi Bollywood mein unhein sammaan diya jaata hai. aane vaale dinon mein unki kai filmein aane waali hain jinse unke prashansakon ko kaafi ummeedein hain.


sandarbh