asamiya chalachitr

asamiya chalachitr ya asamiya cinema, asamiya bhaasha mein banaaya gaya chalachitr hai, jo mukhya taur par asam (Bhaarat) mein dekha jaata hai. iski shuruaat 1935 mein jyotiprasaad aagaravaala dvaara banaai gayi film jauyamoti ke saath hui.[1] uske baad asamiya chalachitr ka vikaas karne mein bhaabeindar naath saikiya evam jaahanoo baruaa pramukh hainn. lambe itihaas aur kalaatmak safalataao ke baavajood, asamiya cinema Bhaarat mein raashtreeya star par bahut safal naheen rahi. haalaaainki asamiya filme kai baar raashtreeya puraskaar jeet chuki hain. 21veen sadi ke shuruaat mein bade parde par Bollywood shaili ki asamiya filmein banane lageen. baajaar ke paimaane par vah hindi chalachitron se bahut peechhe hai.

anukram

itihaas

1930

asamiya cinema ka astitv ek dooradarshi, roopakonavaar jyotiprasaad aagaravaala, jo ki ek pratishthit kavi, naatakakaar, sangeetakaar aur svatantrata senaani bhi the, ki parikalpana se aarambh hua| unhone asam ki pratham film jauyamoti ke nirmaan mein, chitraalekha mooveeton ke benar tale, mahatvapoorn bhoomika nibhaai thi. prashikshit takaneeshiynon ki kami ke kaaran jyotiprasaad ne apni pehli film mein patakatha lekhak, nirdeshak, nrutya nirdeshak, sampaadak, geetkaar, sangeet nirdeshak evam set aur kaustyoom dijaainar ka atirikt kaaryabhaar bhi sambhaala| yeh film 10 March 1935 mein ₹a60000 ke bajat ke saath pardarshit ki gayi. us jamaane ki baaki hindi filmo ki tarah is film ki bhi poori prati gaayab ho gayi. altaaf majeed ne niji taur par prayaas kar film ke kuchh ansh ko pun: sthaapit kiya hai aur unke upasheershak teaar kiye hai. jauyamoti ke bhaari viteeya nuksaan ke baavajood ek doosari film indrmalati ko 1937 aur 1938 ke beech filmaaya gaya jise 1939 me pardarshit ki.

1940

vipreet paristhitiyo ka majabooti se saamana karte hue Agrawal ne do saal baad apni doosari aur aakhiri film indramalati ka nirmaan kiya. asam ke prasiddh gaayak aur sangeetakaar bhupen hajaarika ne is film mein utkrusht bhoomika nibhaai. jyoteeprasaad ke nidhan ke baad asamiya filmo mein kuchh samay ke liye khaamoshi ka daur chha gaya. lekin dviteeya vishv yuddh ke baad asamiya film udyog mein kuchh badlaav aae. rohini Kumar baruaa ne is baat ka fayada uthaate hue 1941 mein ek praasangik etihsik vishay par maanometi banaai. iske baad kai filme I: paarvati prasaad ki rupahi (1946), kamaal Narayan chaudhari ki badan barafukan (1947), fani sharma ki siraaj, asit sen ki beepalaabi, prabin fookan ki parghaat aur suresh Goswami ki runoomi.

1950

pachaas ke dashak ki sabse ullekhaneeya film peeyaali fookan thi jise baad mein raashtreeya puraskaar bhi mila. yeh film roop jyoti prodakshans ke tatvaavadhaan mein prakhyaat film nirmaata gaam prasaad Agrawal dvaara nirmit ki gayi thi| film ka nirdeshan fani sharma ne kiya aur bhoopen hajaareeka is ke sangeetakaar the. yeh film ek svatantrata senaani, peeyaali fookan ke baare mein hai, jo british shaasan ke virudh lade the| unhe raajadroh ke aparaadh mein angrejo ne faaainsi par latakaaya tha. yeh film us samay ki anya filmo ki tulana mein sabse aadhunik film thi. smrut paaras (1955) naam ki film ke saath nip baruaa ne nirdeshan ki duniya mein apna pehla kadam rakha. unki anya filme maik aaroo moran aur ranga police ne vibhinn raajya padak evam raashtreeya star par rajat padak jeeta.

  1. Joymoti(1935), IMDb.com.