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Thappad Moovi Review
Breaking » February 26, 2020 (Wednesday)
Bas ek thappad hi to tha. Kya karoon? Ho gaya na. Jyaada jaroori savaal hai ye hai ki aisa hua kyon? Bas isi 'Kyon' ka javaab talaashati hai anubhav sinha ki ye film thappad. Iska trailer aapne dekha hoga to kahaani ka mota andaaja lag gaya hoga ki amruta (taapasi pannoo) kaise apne pati vikram ke prati samarpit hai. Uske khvaabon ko poora karne ke liye ji jaan lagaae hue hai aur fir ek party mein sabke saamane achaanak pati ke thappad se uske saare sapane chakanaachoor ho jaate hain. Fir ek aurat ki jang shuroo hoti hai ek aise pati ke saath, jiska kehna hai ki miyaan beevi mein ye sab to ho jaata hai. Itna bada to kuchh naheen hua na. Log kya socheinge mere baare mein ki beevi kyon bhaag gayi? Jis aurat ki saas usase ye kehti hai ki ghar samet kar rakhane ke liye aurat ko hi man maarana padta hai. Jis ladki ki apni maan usase talaak lene ka faisala sunakar yeh kehti hai ki yahi sunana rah gaya tha ki beti talaak legi? Kya galati ho gayi thi hamse? Aaspaas aise logon se ghiri amruta poore ghatnaakram ko kaise aage le jaati hain aur ant mein kya hota hai, is baat ka andaaja trailer dekhkar katai naheen lagaaya ja sakta. Film ka naam sunakar lagta hai ki film ghareloo hinsa par aadhaarit hai aur na jaane kitni maaradhaad aur cheekh chillaahat is film mein hogi. Aur ant kya hoga? Pati se alag ho jaati hogi ya use maaf karke aage badh jaati hogi. Is sabjekt par isse pehle Aishwarya ki provokt ke behad hinsak ant ka opshan bhaarateeya darshak pehle dekh hi chuke hain. Lekin bina hinsak hue aur bina bhaashanabaaji dikhaae, director anubhav sinha ne kahaani ka ant ek aise khoobsoorat mod par kiya hai, jise soch paane ki kshamata abhi tak hamaare bhaarateeya purashasattaatmak samaaj mein to bilkul na ke baraabar hai. Film mein ek jagah kaha bhi gaya hai ki agar ek thappad par alag hone ki baat ho jaae to 50 paraseint se jyaada auratein maayake mein hon. Taapasi pannoo ki 'Thappad' ka trelaraX Kareeb sava do ghante ki is film ke pehle half mein amruta aur vikram ki upper midl class faimili ki jindagi ke sapane, ummeedein aur unhein poora karne ki jaddojahad mein nikal jaata hai. Is dauraan pati patni ke beech pyaar aur patni ke samarpan ko kahaani mein viksit kiya gaya hai. Aur fir jab bhari party mein lage thappad ki goonj vahaan maujood kisi ko sunaai naheen deti to taapasi kis tarah us thappad ke maayane samajhakar apni jindagi jeene ka tareeka badalti hain ise film ke doosare hisse mein rakha gaya hai. Taapasi ke alaava film mein saath saath paanch aur auraton ke jeevan ke antarvirodh dikhaae gaye hai. Paanch alag alag tabake se judi in auraton ke jariye anubhav ne aurat ki har takaleef ko parade par utaar diya. Ek kirdaar taapasi ki med hai jo pati se maar khaane ko hi apna jeevan samajhti hai, lekin taapasi ka safar kaise use himmat deta hai uske style mein. Doosari aurat taapasi ki maan (ratna paathak), jiski jindagi behad saamaanya aur anyatha behtar aur progressive hai aur lagaataar beti ko pati se alag na hone ki salaah hi deti hai, lekin film ka ant aate aate vah bhi apne saath hue anyaaya ko mahasoos karne lagti hai jiska jikr usane apne pati se kabhi karna jaroori samjha hi naheen. Taapasi ke is behad progressive pita (kumud mishra) ko tab jhatka lagta hai jab unhein ehsaas hota hai ki unhonne apni patni ke sapane ko kabhi jaanana jaroori samjha hi naheen. Teesara kirdaar hai, taapasi ki apni saas (tanvi aazmi) jo khud ki pehchaan dhoondhane ke liye pati se alag bete ke saath rahati to hai, lekin jab bahoo ko apna beta thappad laga raha hai to us baat ko vah yeh kehkar anadekha karti hai ki beta pareshaan tha, ho gaya usase. Aur agale din bhi bahoo se usaka haal poochhane ke bajaay ye poochhati hai ki vikram raat ko theek se soya na? Chauthi kahaani film mein chalti hai taapasi ki vakeel netra ki, jise behad damadaar tareeke se nibhaaya hai maaya saraao ne. Netra jayasinh ek kaamayaab vakeel hone ke saath saath mashahoor news enkar maanav kaul ki patni hain aur behad kaamayaab vakeel ki bahoo. Do purushon ki kaamayaabi kis tarah uske vyaktitv aur achievement ko daba rahi hai, iska andaaja taapasi ka case ladne ke dauraan netra ko hota hai aur film ke ant mein vah behad shaaleenata se saahasik kadam uthaane se naheen chookateen. Paanchava kirdaar taapasi ke bhaai ki garlafreind ka hai jo taapasi ke saath us vakt khadi hoti hai jab taapasi ka bhaai tak uske faisale se khush naheen hai. Apne bauyafreind se usaka rileshan kaise mod se gujarata hai, yeh bhi apne aap mein behad paavaraful tareeke se dikhaaya gaya hai. Film ka behatareen hissa hai usaka ant. Yeh isliye kyonki film dekhte rahane ke dauraan hamaare saamaajik dhaanche aur hamaari paravarish ke kaaran kai baar ek savaal hamaare man mein aa sakta hai ki taapasi kyon itni kathor ho rahi hain? Ek thappad ke kaaran ghar todna sahi naheen hai. Ek chaans to de dena chaahiye ya shaayad de hi degi ant tak. In sab savaalon ka hal kahaani ke ant mein diya gaya hai. Director ne ek aisa hint ya kloo purushon ko diya hai ki jise vah samajh jaae to ghar tootane ki naubat naheen aae, kyonki ghar tootane ka khaamiyaaja purushon se jyaada auraton ko bhugatna padta hai. Taapasi ne ek pati ko samarpit patni se lekar thappad bas itni si baat naheen hai ka vishvaas jagaane waali aurat ke ek ek ehsaas ko gaharaai se mahasoos kiya hai jo parade par saaf dikhta hai. Thappad khaakar apne kamre tak pahunchane ke liye ki gayi vauk mein taapasi ka chehara har us aurat ko aaina dikhaati hai jo parivaar ke liye sab kuchh karne ke baad bhi kisi laayak naheen samajhi jaati aur sab kuchh aasaani se sahan kar leti hai. Anubhav sinha aur mrunamayi laagoo ne poori film ko aise likha hai jismein hamaare samaaj ki kadvi sachaai chhah alag alag kirdaaron ke jariye saamane aati hai. Film ka ant un sabhi kirdaaron ke achhe aur bure pahaloo, man mein chalne waali ulajhanein, dvandv aur antaravirodhon ko na sirf sabke saamane rakhati hai balki poore samaaj ko ek-ek opshan bhi dekar jaati hai, taaki life jeene laayak ban sake.
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