Kaanchi

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Kaanchi

Chandramohan sharma, nai Delhi is chunaavi season mein ek ke baad ek aisi filmein aa rahi hain, jinmein satta aur corruption ke khilaaf aavaaj uthaai gayi hai. Jahaan, bhootanaath returns mein vote ki power ka mesej aur rivaulvar raani mein bhrasht ministar ki kahaani hai, vaheen kaanchi uttaraakhand ke ek chhote se gaanv ki seedhi-saadi ladki ki kahaani hai, jo apne damakham par satta mein baithe netaaon ko benakaab karne ke saath-saath bhrashtaachaar ke khilaaf aavaaj uthaati hai. Ghai ka filmein banaane ka style doosare mekars se juda hai. Aasamaan ko chhoote pahaadon, hariyaali aur praakrutik khoobsoorat najaaron se ghai ko beintaha pyaar hai aur unki lagbhag har film mein yeh sab dikhaai deta hai. Taal ke baad ghai ne is film ka ek bada hissa uttaraakhand ki aisi khoobsoorat lokeshan par shoot kiya, jahaan glaimar industry ke mekar jaane se kataraate hai. Gajab fataugrafi, behatareen lokeshan film ka plas point hai. Netaaon ki daadaageeri, kaanoon ka khilvaad aur corruption ke mudde par bani kaanchi chunaavi maahaul mein release hui hai, jo yakeenan is film ke liye sau feesadi sahi release time hai. Kahaani: Uttaraakhand ke ek chhote se gaanv koshampa ki kaanchi (mishthi mukharji) ko usaki faimili aur gaanv vaale sikdi kehte hai. Daraasal, kaanchi ka svabhaav sikdi jaisa hai, jo haradam garam rahati hai. Kaanchi ke pita vatan ki raksha karte hue shaheed ho gaye. Kaanchi ab apni poori faimili ke saath gaanv mein rahati hai. Isi gaanv mein apne paapa ke saath self academy chala raha kaanchi ke bachapan ke dost binda (kaartik aaryan) ki academy hai. Binda ke pita fauj se retire ho chuke hai aur gaanv vaalon ka self defence sikhaane ke maksad se unhonne apne ghar mein hi yeh academy bana rakhi hai. Bindra bhi pita ki isi academy ko chalaane mein unka haath bantaata hai. Binda aur kaanchi donon ki faimili inki jaldi se jaldi shaadi karna chaahate hai. Binda aur kaanchi bhi ek doosare se beintaha pyaar karte hai. Mumbai ke naami bijnasamain jebi kaakada (rishi Kapoor) koshampa mein ek valley ka praujekt shuroo karna chaahate hain. Is praujekt ke liye unhonne kai videshi companiyon se deal ki hai. Jebi Mumbai ke naami neta shyaam daada kaakada (mithun chakravarti) ka chhota bhaai hai. Satta ke galiyaare mein daada ke naam ka danka bajata hai. Prashaasan, police daada ke ishaaron par chalti hai. Koshampa mein jab bindra unke is praujekt mein baadha banta hai to daada use milne gaanv mein pahunchata hai. Daada ke saath unka beta rishbh bhi koshampa pahunchate hai. Yahaan aakar rishbh kaanchi par mar mitta hai aur kisi bhi soorat mein kaanchi ko haasil karna chaahata hai. Kaanchi ke inkaar aur bindra ke haathon pitne ke baad rishbh bindra ki hatya kar deta hai. Gaanv mein kaakada ke khilaaf koi gavaahi dene ko taiyaar naheen, aise mein kaanchi chhote se gaanv se nikalkar Mumbai jaakar apne dam is paavaraful raajaneetik parivaar se bindra ki hatya ka badla lekar use desh aur samaaj ke saamane benakaab karti hai. Aikting: Leed kirdaar mein mishthi mukharji prabhaavit karti hain. Aaryan ko jyaada kuchh karne ka mauka naheen mila, lekin aaryan kaheen niraash naheen karte. Kaanchi ke rol mein mishthi ne apne aap ko kuchh aiese andaaj aur luk mein camere ke saamane pesh kiya hai, jise dekh aapko taal ki Aishwarya aur parades ki mahila ki yaad aaegi. Pehli baar hindi film kar rahi mishthi ne apne laajavaab abhinay ke dam par darshakon ko kaanchi ke kirdaar se jodne mein safalta pai hai. Industry ke lejand rishi Kapoor, mithun chakravarti, aadil husain ne is baar fir har kisi se apni adaakaari ka loha manavaaya hai. Daayarekshan: Subhaash ghai ne is baar apni pichhli filmon se kuchh hatkar naya karne ki koshish ki hai. Corruption aur satta mein baithe netaaon ki daadaageeri ko unhonne damadaar dhang se ujaagar kiya hai. Isabaar fir ghai ne uttaraakhand mein bikhri khoobsoorti ko parde par utaarane mein apni mahaarat saabit kar dikhaai. Isse pehle ghai taal aur kisna mein aisa karishma kar chuke hai. Is film mein utaraakhand ki khoobsoorti dekhne ke baad vahaan jaane ko aap ka dil bhi machal sakta hai. Yakeenan, yeh film utaraakhand ki khoobasarati ko kuchh aise damadaar dhang se pesh karti hai jo doosra koi shaayad hi kar paae. Vaheen film ki gati kai jagah kaafi sust hai , intaraval ke baad kaanchi ke Mumbai pahunchane ke baad kahaani mein kuchh naatakeeyata aa jaati hai. Vaheen, klaaimeks ko bhi bevajah kheencha gaya hai. Agar ghai apni script ko kasane mein thoda aur dhyaan dete to is kahaani ko aaraam se sava do ghante mein niptaaya ja sakta tha. Sangeet: Film ke sangeet maahaul par poori tarah se fit hain. Khalanaayak ke superhit gaane choli ke peechhe kya hai ki tarj par is baar ghai ne kanbal ke peechhe item number pesh kiya hai, lekin ismein choli waali baat naheen. Kyon dekhein: Uttaraakhand ki dilkash khoobsoorti, gajab lokeshan aur new kamar mishthi mukharji ki behatareen aikting film ka plas point hai. Vaheen, kahaani ki sust raftaar aur intaraval ke baad kaakada ki faimili se badla lene ki ghatnaaon par darshak yakeen naheen kar paate. Agar aap ghai ke fan hain aur unhein screen par dekhne ko betaab hai to kaanchi ke ek gaane mein vah aapko chaar baar najar aanege. Agar aap har baar naya aur leek se hatkar dekhne ke shaukeen hai to kaanchi aapko apaset kar sakti hai.

Kaanchi http://www.angrejinews.com/pic/48620